LONDON PUB THEATRE AWARDS
APRIL 2024
A brilliantly written dark comedy about a celebrity couple in a tempestuous relationship who are hounded by the paparazzi. Dominic Farrow and Pip Lang are excellent at transporting us from Harold and Sylvia’s playful comedic games through the turmoil of their recent past and into the tragedy that is their inevitable future.
A show of short dark comic plays by a richly talented playwright digging deep into everyday life, led by a talented ensemble cast. "Sweet Nothings" delivers a tour de force of comedic performances, each actor breathing life into their characters with a perfect balance of wit and vulnerability. Their impeccable timing and seamless chemistry create moments of genuine hilarity, even as the underlying darkness of the story looms ever-present.
Produced by Kibo
Cast: Nicola Rockhill, Lily Rogers, Colette O’Brien, Jack Crutch, Niall Burns
Director: Ed hulme
MARCH 2024
Moving, provocative, and memorable production about identity, the failure to find it, and the slippery road to right wing extremism. A special nod to the costume designer Pam Tait for capturing the clothing of the period and highlighting the different view points of the characters.
Superb direction (Callum Sharp) and outstanding cast (Martin Coates, Lorne MacNaughton) for this duologue set in the mind of a playwright battling to create the greatest play of all time.
COLD, DARK MATTERS at The Hope 12 – 23 March 2024
Solo show written by the performer, Jack Brownbridge-Kelly, it delights in storytelling tools and Russian-doll trickery. It has a lot to say about loneliness, and vanishing communities, in the region in which it’s set. But a London audience, too, will find plenty to dive into here.,
Set in 1930s Paris and based on the real life of female ceramicist Marie Berthe Cazin, this is a one-woman musical par excellence, exploring the joys and sorrows of making art.
Starring Rosalind Ford
Book & Lyrics by Rebecca Simmonds
Music & Lyrics by Jack
Direction by Grace Taylor
Lighting Designer Chris McDonnell
Set & costume by Rachel Ryan
The Lady or the Tiger at Theatre at the Tabard 5 - 23 March 2024
Polished performances of the highest calibre for this witty and entertaining musical. Impeccable musical direction from Philip Shute, accomplished musicianship, and experienced direction from Keith Strachan.
JAB by James McDermott, directed by Scott Le Crass at Finborough Theatre, 20 February - 16 March 2024
Nomination for this two-hander about a downward spiral of a relationship during lockdown. Actors Kacey Ainsworth and Liam Tobin are excellent, both performers make you forget you are watching a performance but feels rather like caged animals in a tight space. Fractures in their relationship start to show and things really get dark, with rising animosity mingled with tenderness and regret.
FEBRUARY
JEFFREY BERNARD IS UNWELL by Keith Waterhouse at Coach and Horses, Soho 4 - 26 Feb
An hilarious revival of Keith Waterhouse's play set in the very pub where Jeffrey Bernard, Fleet Street’s finest piss artists, really was quite frequently unwell. Starring Robert Bathurst, he is charm personified in a perfect performance that feels entirely like a charismatic man saying whatever comes into his head rather than an actor remembering a 60-minute script. He has the knack, too, of capturing what it is that makes characters as monstrous as Bernard often was, magnets for a bar full of people eager to hang on his every word.
THE GENTLEMAN OF SHALOTT by Gareth Watkins at The hope Theatre 6 – 17 February
Highly original play (dystopian and absurdist), a subversive retelling of Tennyson's ballad, set in the future in a period of advanced climate change and instead of a woman being objectified, it is a man. Excellent production values with an outstanding set (STEPHEN STEPHENSON), supportive sound and lighting. Stephen Stephenson's set/props were made completely from recycled/repurposed materials)
Actor Joshua J Parker for his role as Richard III, a finely tuned and truthful portrayal which was totally convincing. Also appropriate to see a disabled actor reclaiming the role and fulfilling it's potential.
JANUARY
MAGGOTS by Farah Najib at Lion and Unicorn Theatre 20 Jan – 10 Feb 2024
Raising awareness of poor housing conditions and the monstrosity of urban isolation, this is shown through imagination, empathy and even humour, which is used like a sweetener, to gently draw audiences to this fearful place and terrible event.
Read our interview with playwright, Farah Najib, and director, Jess Barton, here.
Nomination for ensemble acting. 2024 marks the 25th anniversary of Strut and Fret's production of Look Behind you, Daniel Wain's farce comedy gem. A very welcome revival, with an excellent ensemble cast. Ellie Armstrong, Barney Hart Dyke, Cait Hart Dyke, Olivia Jackson, Annabel Miller, Anna Piggott, Steve Pratt, Oliver Redpath, Caroline Ross, Mia Skytt, Matt Tester, and Daniel Wain.
HER SHOES by Megan Marszal at Old Red Lion Theatre (FreshFest festival of new work) 26 – 28 Jan 2024
Compelling drama about the mysterious disappearance of a woman,mirroring real life cases. Writer Megan Marszal is also the solo performer – showing a huge range with multiple deft characterizations.
FIRE EMBERS ASH by Hailey Mashburn at Barons Court Theatre 16 – 27 January 2024
Honest and unnerving play about a unique group who formed the first all-female aviation regiment in history. From a cheerful beginning the play shows how the women are transformed by the events of the war.
NOT EVEN THE DOGS at Old Red Lion Theatre 16 – 20 January 2024
Outstanding use of lighting (Evie Chandler) and sound in this black box drama bringing to life the dark and harrowing story centered on the Jewish community of Warsaw - from the tense pre-war days of the 1930’s to the depths of Ghetto liquidation in the 1940’s.
This excellent production has an innovative treatment. It is a funny and moving battle of wits between one man’s thoughts on his last day alive, played by Nick Hyde and Oliver Maynard with expert versatility. Nick Hyde's debut play is sensitively researched and director Jef Hall Flavin, seamlessly pulls off the tonal switches between hilarity and tears.
Read our interview with writer Nick Hyde and director Jef Hall Flavin here
DROP DEAD by Blue Pears Productions at Drayton Arms Theatre 2 - 6 January 2024
A fast-paced dark comedy with a laugh-a-minute format, following six ‘mourners’ and their battle for a six-figure inheritance. Through strong characterisation the company creates an engaging portrayal of jealousy, desire, paranoia, and greed.
DECEMBER
Luke Adamson's love letter to regional theatre pantos is a classic two hander where dark secrets are revealed, and the comedy is tinged with high pathos. The two dames, wonderfully played by Matthew Parker (Mr Chancery) and Bryan Pilkington (Mr Worth), seamlessly show us behind and in front of the curtain. Colour is added by Karl Swinyards' vibrant set design and kudos to director Kate Bannister's smart staging.
A festive, feel-good delight for all the family. This Frances Hodgson Burnett story adapted by Louise Haddington translates beautifully to stage.
The creative and casting decisions taken by Take Note Theatre Limited effectively coalesce to convey this story with beguiling charm.
Read our interview with director Simon Reilly and writer Louise Haddington on their adaptation of THE SECRET GARDEN here
This is a play that sets out to milk its premise to its limits, and it succeeds admirably. A comedy which really hits the spot on a rainy wintry night.
Fattorusso's play raises the awareness of postnatal depression, aided by clear direction from Samantha Pears. It is a very human story which is based in reality, and offers various viewpoints from the mother to the people closest to her.
A Woman Walks Into a Bank by Roxy Cook at Theatre503 November 21 - December 9 2023
Director Roxy Cook's first play is innovative, feeling like a new form. Bit by bit, the storyline is deconstructed, along with the staging, until we spiral back to where we started. The production is ably supported by fine acting and design, particular nod to David Allen’s complex set design.
Splinter by Martha Loader at The Jack Studio Theatre 28 November – 2 December
A tender look at early onset dementia; a hauntingly heartbreaking ode to love and memory. At its core, Splinter by Martha Loader is a sensitive and respectful play about dementia, told through the devastating lifecycle of a relationship as it disintegrates in the imagination. It is a straightforward story told extraordinarily well, and with magnificent nuance. Excellent direction from Amy Wyllie.
THE TRIALS OF GALILEO by Nic Young at The Old Red Lion 28 Nov – 02 Dec 2023
Nomination for actor Tim Hardy. Hardy takes on the role of Galileo in this one man show with a sage weariness and benign wisdom. He holds the audience completely with all the tools of physical storytelling: his body, voice and emotion. The audience experience the conflict riven deep into his soul and, as we move through the trial, we witness the growing self-realisation he's at the centre of a right papal stitch-up. With self-loathing, simmering anger and remorse.
NOVEMBER
Written and performed by Alison Skilback, she inhabits six different creatures, gives them a grounded realness, a lot of wry self-reflection, and a beautifully drawn character in a very few minutes. Each of the six is well articulated, distinct, and interesting. All of them are flawed, all of them are recognisable, all of them are better known and better regarded after Ms. Skilbeck has presented them.
A black box solo show exploring the subject of domestic violence towards men. Dempsey’s physical theatre abilities in enacting the events and activities through miming and precise gestures are captivating, highly emotive, bold and daring. It is a great reminder of theatre being a medium to create social awareness.
Read our interview with Ronan Dempsey here
FEBRUARY FACE by Keelan Kember at Old Red Lion Theatre 14 - 18 November 2023
‘This is a fine, sensitive, significant piece of writing by Keelan Kember; a tautly written, well judged two hander which is pacy and funny. It's an examination of a very real problem: depression and mental illness, 'manning up' and refusing to admit, even to yourself or to anyone how scared you are.
RED PILL by Sam Went at The Lion & Unicorn Theatre 7 - 25 November
A play raising the profile of the part the internet can play in radicalisation, chillingly conjures up the dangers. With a notable supporting role from Matt Penson as the hovering presence of Tyler, an internet personality who harnesses the appearance of reasonableness in the service of a hidden agenda.
Read our interview with playwright Sam Went here
A rediscovered work of social and political significance , with every part of the production considered and nothing left to chance. Director Finlay Glen has mined the dialogue for truth, and this comes through strongly in the performances.
Read Finlay Glen on a playwright before her time, Ena Lamont Stewart, here
Inspired by THE GREEN ROOM written by Penge’s very own Walter De La Mare in 1925, this entirely new work by Luke Adamson, is a theatrical treat ideal for the season. This ghost story with black box staging has an astonishing number of sound and lighting cues to give atmosphere and add a sense of dread. Joseph Lindoe as Thomas is perfect for the role conjuring up a gentleman of a bygone age.
OCTOBER
I Heart Michael Ball
by Alexander Millington at Old Red Lion Theatre (part of Grimfest)
The Millington duo (writer and performer Alexander Millington and director Helen Millington) have masterfully brought this play to life, capturing the audience's attention and drawing us into this charming character's world right from the get-go. Alexander delivers a stellar performance, showcasing vulnerability and a remarkable ability to take the audience on an emotional rollercoaster.
All’s Well That Ends at the Baron Court Theatre, 17th - 21st October 2023
Andrea Tănase’s All’s Well That Ends gets it's UK premiere, directed by Leo Bacica. It explores the complex psychology of marriage with two characters that struggle to find that satisfactory ending. Fantastically cast (Nicoleta Marica and Gerardo Cabal) and beautifully set.
Are you lovin’ it? by GUMBO at Clapham Fringe Festival at Bread and Roses Theatre 14-15 October 2023
Theatre Group GUMBO, from Japan, bring an Anime style, laugh out loud performance with a strong political current. The skits are very clever and insightful, reminding us of how far we are all drawn into the madness of buying into brands. What is really in those burgers? It is a question which goes well beyond ‘WacDonalds’.
The play AMENDMENTS: A PLAY ON WORDS is very clever writing, hilariously showcasing a scenario of censorship in the setting of an office workplace - what is – and what is not – acceptable to say. With brilliant performances from Matt Roberts and Al Wadlan giving a greater insight into the absurdity and folly of our society.
This is an incredibly assured debut play (longlisted for the 2021 Women’s Prize for Playwriting) that establishes Rachel Bellman as a writer to watch. Jasmine Teo’s capable direction brings the tightly written and clever script to life with three very good performances from Olivia Marcus, Liv Andrusier, and Ann Marcuson. A particular mention to Sophie Firth for her set and costume Design.
An incisively edited 90-minute version, produced by Fish Don’t Matter Theatre Company, brings contemporary direction and performances to this classic play. From the narratively powerful use of lighting to the unsettling use of piano music to the stylized choreography of the cast, this production confidently conjures Ibsen's tale.
FELL by Chris Salt at Barons Court Theatre 3 - 7 Oct 2023
Captures the sentiments of youth in a unique environment of the Lake District. The authenticity of the characters is achieved through two very accomplished performances from Ned Cooper and Tom Claxton. With gripping dialogue Salt’s script delicately peels the layers from each of them until they are as exposed as the fields around them. It is a beautifully constructed relationship which, although brief, never feels forced.
Read our interview with Royal Court playwright Chris Salt here
SEPTEMBER
This show about suicide, depression, and the need to get things off your chest, really brings the message home in a highly original manner. The unusual premise sets ups some hysterically funny situations with some poignant scenes and showcases masterful acting skills (Seth Jones, David J Keogh and Mark Keegan.
Read producer David J Keogh's article on 'lessons learnt from a first time tour producer' here
It’s in imagining what led to this moment in one man’s life and what came afterward that Alex Hill (writer and performer in this one-man show) has created a unique tale bursting with comedy and moments of touching poignancy. The end result is something bombastic, brash and brilliant.
Adapted from Chekhov's short story written in 1899, Mark Giesser has done an excellent job of placing it deftly into the 1920s, and the cast must be complimented on their performance.
Read our interview with Award winning actor Beth Burrows on reprising her starring role in The Lady With a Dog here
Nomination for Director Lucinda Freeburn, who uses a variety of innovative methods to convey the text. Each scene is skillfully painted and by providing such a wonderful canvas, Freeburn is able to accentuate some commendable acting performances.
Solo show written and performed by Tyna Taskila & directed by Sam Edmunds which tackles the subject of childhood abuse & trauma. A raw and powerful story of hope, resilience and new beginning at the end of a dark tunnel.
Sunk in post-break-up hell, David—written and played by David Patterson—bickers with his old imaginary friend, Queen Elizabeth, about what he should do next. He takes us through his life journey, conjuring up ex-boyfriends, uni mates and grandmothers along the way, seamlessly switching between them all, without sacrificing a scrap of his protagonist’s emotional journey.
First performed upstairs at the Royal Court in 2007, and given a fresh lease of life by a talented new generation of Bristol Old Vic graduates, this is a great opportunity for audiences to experience this bitingly witty and socially pertinent satire. this entertaining, non-naturalistic black box production is confidently directed by Natalie Simone.
Two brothers, one inheritance. TC Murray’s 1910 intense family drama is given new life at the Finborough. It’s a classic piece solidly constructed, set in a single-set farmhouse in rural County Cork that finds all the fissures and connections the combination of four main characters can present.
A particular mention to Padraig Lynch who deserves a nom as a really uncompromising dad.
2023 FINALISTS TO BE ANNOUNCED HERE ON SUNDAY 17 SEPTEMBER
Absorbing, mysterious and intense dystopian drama from Proforça, directed by David Brady. It is not until the end of the play that everything falls into place and makes sense of what has gone before. Meticulous direction, strong acting with excellent use of voice over, set and sound design to create the 'facility'.
Violence and Son by Gary Owen / Fricative Theatre at Golden Goose Theatre 29 Aug – 9 Sept 2023
Impressive cast and direction for this gripping production of Gary Owen's 2015 drama (premiered at Royal Court Theatre), about the cycle of violence passed down to our children and our attempts to fight it. A particular mention to Lawrence Carmichael for his electric portrayal of the father, Rick (or Violence).
The show’s a triumph - with Kim Ismay, a brilliant actor and singer using all the skills at her command – and the kind you can’t leave without grinning and humming at least one of the unknown but cleverly familiar tunes from six decades.
AUGUST 2023
Two plays written by the remarkable Gertrude Robins and one by the prolific turn-of-the century playwright, H.M. Harwood provide an opportunity to hear voices from the past and remember how far we have come in the quest for women’s equality. Lighting, set, costumery was elegantly created, along with strong acting from the ensemble.
Errol McGlashan skilfully depicts a world within Her Majesty’s prison in the 1980s. With the energy of at least four actors, using humour and sparky dialogue and well-drawn characters, he gives an insight into what it's like on the inside.
Desmond’s Scared of the Smoking Sea by Tommy Sissons / Kitchen Revolt company at Brocley Jack Theatre
Wonderful new play focusing on working-class lived experience about teens in a pupil referral unit. Mention to Tyler Kinghorn for his supporting role as Wiggy
Innovative piece of theatre with original music and simple white blocks for the set, in which the protagonist is played by 4 women showing different aspects of her personality. They serve as her inner conflicts, guiding her or misleading her through life which helps to explore multiple themes, from childhood pressures of meeting expectations to eating disorders and feeling pretty.
BLINK by Terry Geo at Etcetera Theatre / Camden Fringe 16 – 20 August 2023
A collage of stories from Geo’s own life, those he knows, and fiction, proves a perfect format for a performer committed to fighting for HIV awareness. By the end of the hour-long show, the audience joined Geo and his character as we are reminded again that, in a blink, the present is the past, and that we should hold close those who make it possible for us to do what we love. An exceptionally honest and moving piece.
For all brown girls (young ladies of South Asian descent), wherever they grew up, it much appreciated that these stories are finally being shared on stage. Each girl shares an anecdote, a snippet of their lives, that work as markers of their ‘brown girl’ experiences, from enduring insults to heartache. There seems to be an appetite, a need to speak the truths of people who have been suppressed and repressed, mingled with humour and colour and yes, even dance.
There’s never a dull moment and the play is immense fun. Ultimately, in creating Bunny, Lester has succeeded in crafting a rollicking comedy that never forgets its endearing heart.
Based on a true story about immigrants arriving from all over Europe in hope of better life, Paved with Gold and Ashes is beautifully performed by a tight ensemble of actresses –Everleigh Brenner, Olivia Gaidry, Serena Lehman, Caroline Letelier and Julia Thurston. They created shifts in space and time through song and simple but effective physical theatre that carried the audience along with the story.
Making opera accessible, La Cenerentola is a great classic story directed by a visionary Guido Martin-Brandis and interpreted beautifully on the keyboard with fine performances from this group of professional singers-performers. It is sung in Italian with subtitles & captions in English.
A feelgood show providing the complete festival experience, beautifully devised by the ensemble with direction from Amy Tickner. It was a visual and auditory feast, and a glorious shared experience.
JULY 2023
LEAR ALONE / And Tomorrow Theatre Company at Golden Goose Theatre 18 - 22 July / Edinburgh fringe preview (at The Space Triplex)
LEAR ALONE uses just King Lear's lines from the First Folio of Shakespeare's tragedy to explore themes of loneliness, ageing and homelessness: a study of one man's vulnerability as he confronts and negotiates a digital world superbly portrayed by Edmund Dehn.
Climate change play using the clever analogy of a caustic relationship which eventually boils over. The relationship between the pair is revealed piece by piece, with fantastic games, powerplay and escalating cruelty in a devastating and witty script by Tallulah Bond, with fantastic frisson between two charismatic actors Douglas Clarke-Wood and Tallulah Bond.
A triumph across the board and an absolutely hilarious one at that. Taking the drag king comedy world to new heights.
ANIMAL FARM Adge-Tnt & Theatre du Heron at Golden Goose Theatre 4 – 8 July 2023 (last leg of 5 month tour in Europe)
This spare and witty adaptation of George Orwell's masterpiece is a moving re-telling of Animal Farm, cleverly activating imaginations and drawing audiences in. The cast (Kevin Martin Murphy, Gerald Dorrity, Tony Wadham, Janeks Babidoriks and John Fagando) do a tremendous job of evoking both the animal and human characters, using their bodies and voices effectively.
JUNE 2023
The Finborough Theatre and Arsalan Sattari have produced a beautiful, powerful play that effectively integrates stage, light, and sound design with fine writing and a powerful performance from Mark Povinelli into an outstanding piece of total theatre.
Innovative play looking at the threats posed by anticipated advances in Artificial Intelligence. A sense of dread hangs over this gripping and perplexing piece.
This gem of a one-act play by Alice Gerstenberg still feels fresh more than a century after it was written. The play’s ingenuity is in its use of two actors to play each woman: an inner and an outer self. Daniel Passi’s energetic adaptation adds movement which brings some welcome dynamism into a play that is all about talk.
Based on the tragic true story of a teenager being sold drugs at a rave which resulted in his death (he was 16 years old). The play uses verbatim and more experimental theatre to raise awareness; it's a play that hits hard and captures the preciousness of life and loved ones.
The play’s timeless themes of living with Alzheimer's disease are explored with heart, sensitivity and plenty of laughs, in this beautifully written play by Luke Adamson, with credible performances from the cast JANNA FOX,
JUDY TCHERNIAK, and JULIA FAULKNER.
This is a quick, slick, fun, informative, no-nonsense retelling of Shakespeare’s tragi-comedy, with high class acting from Emily Carding.
MAY 2023
Happy Hour takes the ‘demon on the shoulder’ trope and gives it a new spin. Superbly directed by Lesley Manning, and beautifully framed by the four walls of a working-class home. Stacha Hicks’s central performance as Jacqui is simply exquisite. Ellie Philpott’s Rosie is, logically, the voice of reason, relatable and heart-breaking. And Derek Murphy’s George … is a stroke of genius.
Next Door’s Baby Written by Bernie Gaughan & Matthew Strachan / Take Note Theatre at Theatre at the Tabard 4 – 27 May 2023
A slick musical production about two Irish families locked in a bitter feud about a bonny baby competition. Pitch perfect from all 8 members of the cast; they all lead their own plotlines and support each other flawlessly. Cast: Jackie Pulford, Logan McQuillan, Abigail Williams, Sam Woodhams, Amber Deasy, Shaylyn Gibson, Hayley-Jo Murphy and Ben Hannigan
Written and performed by Jan Noble this innovative show is an epic monologue in verse inspired by the charred remains of a long unidentified body from the 1987 Kings Cross fire. Excellent use of the black box space, with an atmospheric sound design (Jack Arnold), simple but effective lighting (Tom Turner) and well orchestrated use of the space and props (director Justin Butcher)
This solo show manages to be both unflinching and captivating as it tackles heavy themes of isolation, death and betrayal. A true characterisation, poetically written and a really stunning, physical performance. The lighting, designed by Alex Forey, the haunting sound design from Florence Hand and the direction from Jack Reardon are to be much commended.
APRIL 2023
THE SUN, THE MOUNTAIN AND ME by Jack Fairey/Produced by Bedivere Arts
at Brockley Jack Theatre 18 - 29 April
Dynamic solo show written and performed by Jack Fairey with wonderful production values. It features a painter in a manic phase covering his flat in paint, which is effected by lovely colour washes from the LED lights.
Vinnie Heaven raises awareness of transgender homelessness with Faun, a riotous new play that uses entertainment as the ultimate defence mechanism. This wonderfully exuberant production treats a serious issue with cloven hooves, if not kid gloves. With a quick-fire script by Vinnie Heaven and joyful direction by Debbie Hannan, the cast do a dynamic job of bringing the characters to life.
MARCH 2023
A deeply moving play with an astounding solo performance from Kristin Milward, raising awareness of Russia’s war on Ukraine through the eyes of one woman.
Written and performed by Mark Farrelly this solo show offers a dramatic portrayal of the life and times of English writer Patrick Hamilton, running the gauntlet of comedy and tragedy to deliver an enrapturing drama. Farrelly’s masterful command of voice and movement ensures every character portrayed is memorable and effective.
Nomination for supporting role, Catherine Warnock as actor-musician and for her enthralling original score. Her musical prowess across oboe, flute and violin is exceptional and genuinely refreshed a well-known the story. Warnock’s ability to physicalise her character emotionally and physically without – literally – missing a beat is phenomenal.
THE JOURNEY TO VENICE by Bjørg Vik at Finborough Theatre 28 Feb - 25 Mar 2023
Lovely script translated by Janet Garton, in this UK premiere of this modern Norwegian classic, which won the Norwegian Ibsen Prize in 1992. Beautifully played by all four actors (main roles - ANNABEL LEVENTON,
TIM HARDY
supporting roles -CHARLOTTE BEAUMONT,
NATHAN WELSH),
under the excellent direction of Wiebke Green.
Written and performed by Lauren Ava Thomas, she commands the stage musically and comedically; from the jokes to the jams, ‘Love Songs in London’ never misses a beat. An outstanding debut solo show, covering a young woman’s bumpy journey in search of love in the modern world.
This solo show is a confident, clever production, which neatly handles a thorny subject matter and, perhaps wisely, knows where to toe the line. A really a solid combination of writing/direction/performance.
Black box theatre in which simple but effective staging is helped by lighting and sound. Witty and memorable show with some enthralling scenes, at times tender and other times full of teenage hormonal fury. Beautifully acted by the ensemble Mariana Nunes, Callum Anderson and Lucy Alexander from this emerging theatre company.
A nice balance of comedy and tragedy in this play with breathtaking acting from Saher Shah who also wrote the play. While this story is definitely critical of structures within the community it portrays, it’s also a tender depiction of friends and family expressing their love for one another.
Through different guises (and performance techniques), Trotman explores her trauma, her therapy, her privilege, questioning the ethics of Psychiatry. Unsettling, in the best possible way, Trotman is a wonderful performer and savvy writer.
FEBRUARY 2023
Alces production of this classic play is a theatrical delight, beautifully acted with a standout performance from Beth Burrows as wayward witch, Gillian, in search of love.
MY BROTHER’S KEEPER by Mahad Ali at Theatre503 14 Feb – 04 March 2023
An exploration of brotherhood in its broadest sense, Mahad Ali, delivers a pacey, intelligent script with an ear for both dialect and dialogue. The play has strong direction and acting with younger brother, Amman, mesmerizingly embodied by Tapiwa Mugweni.
LATELY by James Lewis at Lion and Unicorn Theatre 21 - 25 February
For actor Fred Wardale who gives his character Callum a believable trajectory to his sad conclusion. The role is beautifully articulated and serves the play very well.
HOW WE BEGIN by Elisabeth Lewerenz at VAULT Festival February, premiered at King's Head Theatre (2019)
Director Elizabeth Benbow for stage-craft that deftly guided her actors through a tiny space, and that effectively mirrored and amplified the play's themes of intimacy and separation. Elisabeth Lewerenz for a witty, moving, profound script and actors Emma Lucia and Talia Pick for performances that combined fast paced dialogue, pitch perfect comedy, and emotional truth, and for moving like dancers in a tiny space.
Joe Leather's inspiring script about a bin man / wanna-be drag artists / queer man finding their way in the world and wondering how to navigate their career is expertly brought together by director Kat Bond, and brilliantly performed by Leather.
JANUARY 2023
Chloe Rice and Natasha Roland have devised an entertaining show of two rodeo clowns, with tumbling, line-dancing, vaudeville routines, existential musings and meta theatrical contemplations, all very funny and engaging. Immaculately played and effortlessly charming.
Actor Marina Johnson for her role as the stubborn Eva, a stand out performance. Embodying her character's life of trials, tribulations, and memories, she had the audience fully on her side.
ALL THIS MUST PASS Written and directed by Aurelia Gage / Free School Lunch Theatre at The Lion and Unicorn Theatre 4 – 8 Jan 2023
The transience of existence and construction of identity hover beneath the text alongside a compelling strand around mental trauma and how this is understood over time. Performer Aidan Morris draws on all her audience-entrancing skills to draw you in and take you on a journey.
Helen Goldwyn for her performance as Hetty. Goldwyn has a cracking voice, flawless vocal technique, a fabulous stage presence and a generosity that allowed her to take centre stage when it mattered and give the limelight to others when the story required it.
YIPPEE KI YAY written and performed by Richard Marsh at King’s Head until 31 Dec 2022
Highly original show retelling the story of the Die Hard film in rhyme; very smart, very funny & very warm. Excellent staging and sound design with a highly appealing performance from London poetry slam champion Richard Marsh.
Excellent production with clever writing (using intertwining monologues), with acute observations on the relationship of a married couple in the twilight of their years revealing the underbelly of society's expectations. Sound and set both work to add depth to the play.
A musical or 'folk punk play with songs' is an eye-watering spectacular of music, fun, gossip, comedy and a rollicking night out. It recounts the extraordinary adventures of the unconventional Julie La Maupin, a 17th Century Frenchwoman. This black box show deserves further development to fully achieve its extraordinary potential.
NOVEMBER 2022
Powerful performances in a play exploring masculinity and cultural identity. The issues explored in Not Now feel ageless yet prescient: the conflict between British and Irish identity, how men communicate with each other and express themselves. The play’s title suggests that a resolution to these are some way off, but the ending does leave us with a sense of optimism for the future.
Writer Noga Flaishon successfully explores the newish genre of sci-fi for the stage, with this production highlighting the trauma of sexual assault. It also cleverly explores how memory works and asks questions about recovery from this kind of ordeal.
This new production of Bob Hayes' dark play is convincingly portrayed by the three actors: Joseph Ryan-Hughes, Connor McCrory and Ethan Reid. The horror of the story about the seedier side of London, is fully exposed, with good direction from Macadie Amoroso using a sound scape which enhances a sense of menace.
What elevates this solo show is the acting and the writing. Irish actor Brendan Dunlea can gear shift from twinkling eyes to out and out desolation in a heartbeat.
Áine Ryan's writing is rich in language and has a depth that shows an understanding of the human condition. As a director, Ryan never lets the action drift and, crucially, never lets things fall into melodrama.
OCTOBER 2022
Produced by Amanda Castro, the six short plays showcase female talent across the horror-genre in a visceral, entertaining and thrilling evening of work. This goes beyond horror. This is a platform and pool of some of the best voices making work.
THE MOORS by Jen Silverman at The Hope Theatre 11 October – 5 November 2022
A gothic horror with an immersive set, exquisite costumes, and a large cast of recent graduates. The overall concept (director Phil Bartlett) and execution (cast and creatives) for the show is very well accomplished overcoming the challenges presented by this clever play - large cast, dual setting (in a mansion and the moors) and some unusual roles.
A dynamic, powerful and stunning ode to the LGBTQ+ community, Grace Quigley’s one-woman-show takes us on a journey through friendship, teenage love and sexual awakening set against the backdrop of 2000s British life and pop culture. Flawless writing is complemented by her note-perfect comic timing and vulnerability.
SEPTEMBER 2022
NAUGHTY / Pink Milk Theatre at The Hen & Chickens Theatre / premiered at Etcetera Theatre part of Camden Fringe
This solo show is an effortlessly revelatory hour of theatre, a tale told simply utilising simple staging and seamlessly integrating tech. With a confident performance from Andrew Houghton and spectacularly good voice-work from Chris Sherwood.
A light touch on what are often heavier topics, the beauty of the play is in its humour, which is dolloped over every scene. Praise too for the ensemble work which is seamless.
An unmissable visual feast, this is a highly original show performed & devised by Lulia Benze and Kurt Murray; a mixture of bubble art, burlesque and slapstick comedy.
DISTINGUISHED VILLA by Kate O’Brien at Finborough Theatre 6 Sept – 1 Oct 2022
A play from a bygone era with so much to tell us about our lives today with an outstanding performance from Matthew Ashforde as Natty and fine direction from Hugh Fraser.
PERSEPHONE
by Ross McGregor/ Arrows and Traps at
Jack Studio Theatre 30 August - 17 September 2022
Outstanding cast of Beatrice Vincent, Cornelia Baumann, Daisy Farrington and Jackson Wright, in Ross McGregor's exciting retelling of this Greek myth. He ingeniously brings the story of bang up to date, leaving audiences with plenty to consider.
STANDING OVATION NOMINATIONS OCTOBER 2021 - AUGUST 2022
AUGUST 2022
FAILURE STUDIES by Marco Biasioli / Precarious Theatre (Manchester based) at Etcetera Theatre 15 – 17 August /Camden Fringe
A cleverly written Absurdist play about exploitation in the workplace with excellent physicality from actors Luke Richards, David Allen and Francesca Maria Izzo and lively direction by Liam Grogan.
A dystopian, Mad Max-esque twist to the tragedy that excites throughout. Using only minimal prop and set this gripping modern adaptation had great music, energy and originality.
JULY 2022
A slick show with a strong visual impact and excellent physicality. A heart rending depiction of the knock on effects of alcoholism shown with originality and truth.
The play really gets to grips with the realities of modern-day homophobia. The characters burgeoning relationship is shown with warmth and humour and the actors have a sincere chemistry.
JUNE 2022
LETTERS TO MY DEAD MOTHER by Ana Carolina Borge at The Hope Theatre 12 & 13 June 2022
This solo show is an ode to the passing of Borge's mother, abounding with humour and balancing the pathos. It has some beautiful direction and artistic flair.
Impressive writing and acting (Alexandra Brailsford, Olivia Roebuck) for this comedic two-hander about two office workers. It also has an excellent soundtrack (Jess Parritt)
MOMENT OF GRACE by Bren Gosling at Hope Theatre 28 June - 16 July 2022
A series of interleaving monologues helps us understand the struggles of those in the UK’s first HIV/AIDS ward in a London hospital told sensitively through the stories of people deeping impacted by Princess Diana’s compassionate visit.
An enlightening piece for anyone who is unaware of how a person can be radicalised online. Clever use of technology, insightfully written and believably performed, with humour incorporated.
Puts the therapist’s mind under the microscope making for a complex, refreshing, and hilarious play. Outstandingly performed with designers (Ros Chase - lighting/Elijah Miller - sound) pushing the space to its limits – the tube scene in particular being a notable victory.
Exceptionally imaginative devised theatre, revamping older genres of theatre (farce, commedia Dell-arte) with bold ideas and universal themes.
A monologue with comic asides, employing a number of different media and musical instruments which give the piece energy, fun and make a real connection with the audience. A highly original show.
Ten Day in a Madhouse is beautifully adapted for the stage. Highly original immersive and multi-media show in which video (animation) works brilliantly with the actor, along with excellent sound and lighting.
A genuinely scary ghost story showing off excellent stage craft from the writer Mark Ravenhill, the lead actor Suzanne Ahmet and the designers Roly Botha (Sound)/Jo Underwood (Lighting).
MAY 2022
Collette Cooper as Janis Joplin in this biopic, gets under the skin with her deeply felt vocals and powerful script. There is much to admire in this production with its immersive set, authentic costumes and excellent musicianship and direction.
Gripping drama with a unified whole under the impressive direction of Justina Kehinde. It shines a light on the tremendously difficult subject of bereavement and the death of child.
A laugh a minute show written by Tim Connery and Alex Donald, directed by Luke Adamson and superbly brought to life by Alex Dee. A sympathetic take on what it's like to be left behind by modern politics when you just don't have the tools to keep up. Clever set design by JLA Productions.
BABY, WHAT BLESSINGS by Siofra Dromgoole / Three Sisters Theatre / Theatre503 (Sept 2019) /Golden Goose Theatre (February 2022) / Old Red Lion Theatre (March 2022) / Park Theatre (May 2022)
A one woman show on the topics of depression, male suicide and the politics of being the only black man in a white space sensitively shown through the lens of 'Billie' and her obsession with her first love, 'Amal'.
Hilarious, gut wrenching, and eye-opening show about the justice system.
JOSHUA (AND ME) By Rachel Hammond at The Hope Theatre (February 2022) and The Pleasance Theatre May 2022
This solo show is an impressive, informative, and heartfelt piece of theatre telling the story of “Hannah” a girl growing up in an Autistic household.
APRIL 2022
A GOOD TIME WAS HAD BY ALL by Sam Smithson at The Hope Theatre April 2022
A delightfully macabre piece that stimulates all of the senses, evoking the style of Edgar Allen Poe or Franz Kafka. The music and sound match the changing moods so well (WIL PRITCHARD), the direction is clear and strategic (CHRISTINA FULCHER) and the four actors played their roles with truth (HATTIE KEMISH, HOLLY MCCOMISH, BETHANY MONK LANE, CAMERON WILSON)
About 500 considers the narratives we need to address in society urgently
SHORT MEMORY by Richard Roques at Golden Goose Theatre 7th - 23rd April
Nomination for Actor Peter Saracen for his brilliantly observed, true, wracking depiction of dementia which was beautifully and generously supported by the other four actors.
An original take on identity, self-hate, and LGBTQIA+ relationships that pushes boundaries and interrogates the effects of upbringing on everyday life. An immaculate script balances the comedy and drama, masterfully played by Sasha Kane and Ben Hadfield.
Scripted in rhyming couplets by James Woolf, with clever direction from Katherine Reilly and actors who bring the work alive, this piece plays with words and ideas fluently.
This autobiographical show focuses on Molly, played beautifully by Molly Parker, and her experience of growing up and caring for her two non-verbal autistic brothers. An impactful show successfully using spoken word with live underscoring and original music.
MARCH 2022
Vermin is a really strong piece of storytelling coupled with clever writing. It is fascinating, entertaining and horrifying all at once.
THE SPIRAL PATH by Andrew Craig Sharpe at White Bear Theatre, Kennington 22 - 26 March 2022
Beautifully written by Andrew Craig Sharpe; funny, clever and perceptive. An exceptional performance from Claire Jared showing a huge range of emotions.
A vastly important topic delivered in a brilliantly entertaining way. A special mention for supporting actor Hayden McClean giving so much charm and heart and wit that it sometimes seems a pity to go back to the debate.
Funny and engaging with a reminder of tragedy. Excellent set design by Phil Newman, lighting by Amy Daniels and sound by Paul Freeman.
Superb performances by Corey Montague-Sholay and William Robinson in this hard-hitting production about masculinity, sexuality and power. It uses the clever devise of a see-saw to show the shifting power dynamics between the boys.
RICHARD II by Shakespeare / We Are Animate at Jack Studio Theatre until 5 March 2022
Dynamic and energetic production with Michael Rivers’ Richard drawing a clear arc from the smug, self-serving monarch dispensing arbitrary justice at the outset to a pathetic figure at the end.
FEBRUARY 2022
LOST IN BLUE by Debs Newbold / Lion & Unicorn Theatre 15 - 26 February 2022
A one-woman tour de force with storytelling that keeps us enthralled until the final note. Cleverly using sound loops and music, the piece makes us think deeply about family, art, and the value of life.
This black box play keeps the interest through story, faultless characterisation and a skillfully classy text. Each scene, although without markers, placards or set, really does feel like a completely new space. Actor George Greenland is superb in his multiple roles taking ownership of differentiating characters and presenting them with skill and lots of flair.
US is a crucial watch, one asking for us all to connect with the emotional aspect of life. Actors David Persiva and Naoimh Morgan have chemistry and are both endearing to watch. Well observed, vulnerable and full of heart.
TIFO by Kieran Dee / Moon Loaf at The Lion and Unicorn Theatre 1-5 February 2022.
A story about racism in football, TIFO is in the category of important plays; it speaks up on issues of today but does so in an endearing and human way.
JANUARY 2022
Freud’s Last Session by Mark St Germain at King’s Head Theatre / 18 January - 12 February
Bewitching central performance by Julian Bird in this intelligent play with well-timed humour. The audience gains an opportunity to be fly on the wall in Freud’s office; a simple set decorated in Viennese style which is used to its utmost.
PAYNE: THE STARS ARE FIRE by Ross McGregor / Arrows & Traps Theatre at Jack Studio Theatre 25 January – 19 February 2022
Zeitgeisty academia costumes, scientific props and a scenery perfectly chosen up to the last biscuit crumb, transfer us to the first half of the 20th century: While the selection of music and the careful execution of projection craft proves that this is not a story from some long gone days.
Clever writing brings the story of Gustav Holst's most famous compositions and his connection to Astronomer Cecelia Payne into sharp focus. Along with high production values, excellent movement direction from Will Pinchin and a superb central performance from Toby Wynn-Davies.
GAME NIGHT by Ear to Ear Productions/at The Hen and Chickens Theatre January 2022
A black box marvel, seven-player farce, high velocity and hilarious. Well developed characters which deserve a spin off of their own. Penned and directed by craftsman Adam Hannigan.
DECEMBER 2021
This multi-layered show, with a festive touch, displays impressive comedy work from the writing to the direction and acting. Completed with excellent technical proficiency and a beautiful set.
High production values for this jazz laced Rhythm and Blues musical which sounds and looks truly authentic. A stylish and hugely entertaining show with superb direction from Mykal Rand, and outstanding performances, it lifts the spirits with it heartening story and musical hits.
DON’T FORGET MY FACE Produced by Fight or Flight Productions at the Lion & Unicorn Theatre
Aimee Kember’s ambitious Rhea and Ross Kernahan’s sardonic Jack brilliantly bounce off one another in this show about exploring familial bonds.
Brilliant much needed fun for the festive season, with this highly original brand new panto. Excellent music by David Eaten performed beautifully by the cast with high production values.
Paramilitary horror and grotesquery meet hilarious comedy in David Ireland's take on the Peace Process and the dilemma of Ulster Protestants. Performed by a superb company, it is both riveting and disturbing, and raises many challenging questions.
NOVEMBER 2021
An ambitious and engaging play about catfishing with precise direction from Scott le Crass. It is a tender rose of a story, its petals unfurling one by one to expose the grief, love and loneliness in each of the characters.
OCTOBER 2021
A multi-generational epic, interspersed with laughter and sorrow. Glorious acting in this expertly staged play about Australian society's need for social change and the impact of that change.
Roy Smiles’ brisk and funny two-hander puts two gigantic egos in a dressing room, to explore how friendship, rivalry and talent collude and collide before and after fame. Rosanna Harris as Barbara Streisand sings superbly, Mia Tomlinson as Joan Rivers is very funny in stand-up mode. Overall, a fine piece of entertainment, brisk, witty and populated by very human goddesses.
TENDER NAPALM by Philip Ridley \ Lidless Theatre at King´s Head Theatre
This very physical rendition of Ridley´s masterpiece about a couple recovery from a trauma, which has powerful emotional impact and an enthralling grip.
SKIN TIGHT by Gary Henderson at The Hope Theatre
Brave, breathtaking and beautiful with fragmented poetic language and visceral physical movement. The actors hurl themselves together in a dance that is half combative, half erotic, in this work about a NZ couple growing old together.
A master class in good writing techniques, fine acting and direction, with innovative use of props and scene changes.
2021 STANDING OVATION FINALISTS
AWARD WINNERS ARE IN RED
STANDING OVATION FINALISTS 2021: BEST PRODUCTION
LONDON ZOO by Farine Clarke, directed by Samantha Pears / UnEqual Productions Ltd at Bread and Roses Theatre
PIPPIN Presented by LAMBCO Productions/The Garden Theatre at The Eagle, Vauxhall
SNOWFLAKES by Robert Boulton/ Dissidents Theatre Company/ at Old Red Lion Company
TRESTLE by Stewart Pringle, directed by Matthew Parker, at Jack Studio Theatre
STANDING OVATION FINALISTS 2021: BEST PRODUCTION (REGIONAL TRANSFER)
From Northern Ireland - A NIGHT IN NOVEMBER by Marie Jones/ Soda Bread Theatre at Chiswick Playhouse
STANDING OVATION FINALISTS 2021: BEST REDISCOVERY / ADAPTATION
VILLAGE WOOING by George Bernard Shaw/ SHAW2020 Theatre Company at Etcetera Theatre / Camden Fringe
TIER THREE SISTERS by Knuckledown at The Hope Theatre /Camden Fringe
STANDING OVATION FINALISTS 2021: OUTSTANDING PRODUCTION VALUES
WOLVES ARE COMING FOR YOU by Joel Horwood, at The Jack Studio Theatre
SNOWFLAKES by Robert Boulton/ Dissidents Theatre Company/ at Old Red Lion Company
NO STRINGS ATTACHED by Charles Entsie / Produced by King’s Head Theatre at The Ignition Room, Islington Square
STANDING OVATION FINALISTS 2021: INNOVATIVE PLAY
SIX SERPENTS AND A TARANTULA by Maryanna Clarke /Old School Players at The Hen and Chickens Theatre and on tour
TETHERED by Georgie Bailey/ChewBoy Productions at Lion and Unicorn Theatre
STANDING OVATION FINALISTS 2021: COMEDY
BORROWED TIME by Garth Oates/ Flat A Creative at Hen and Chickens Theatre /Camden Fringe
BADGERS CAN’T BE FRIENDS By Joe Skelton / Raving Mask Theatre at King’s Head Theatre /Playmill Festival
STANDING OVATION FINALISTS 2021: NEW PLAY RAISING AWARENESS
DEAF EARS – HOW I LEARNED TO HEAR by Joe Friedman at The Hen and Chickens Theatre /Camden Fringe
ALL THAT by Shaun Kitchner, directed by James Callàs Ball at The Kings Head Theatre
STANDING OVATION FINALISTS 2021: ACTORS AWARD
A RAT, A RAT by Chloe Yates at Golden Goose Theatre
Winner - Rose Reade
HEMATOMA written and performed by Kieran Dee, Produced by Moon Loaf Theatre Company at Lion and Unicorn Theatre
Winner - Kieran Dee
MASKS/TIDAL double bill by Red Hair Theatre at The Ninth Life
Finalist: Peter Watts
A NIGHT IN NOVEMBER by Marie Jones/ Soda Bread Theatre at Chiswick Playhouse
Finalist; Matthew Forsythe
AAAAA (FIVEA) by David Brady, Jack Albert Cook, Gabrielle Nellis-Pain & Kim Scopes at Lion and Unicorn Theatre
Finalist: Daniel Rainford
STANDING OVATION FINALISTS 2021: ENSEMBLE ACTING
THE NOBODIES by Amy Guyler/Chalk Line Theatre at Lion and Unicorn Theatre
Winners: David Angland, Joseph Reed, Lucy Simpson
SNOWFLAKES by Robert Boulton/ Dissidents Theatre Company/ at Old Red Lion Company
Finalists: Robert Boulton, Niamh Finlay, Henry Davis
LONDON ZOO by Farine Clarke/ UnEqual Productions at Bread and Roses Theatre
Winners: Louie Keen, Mike Duran, Natalie Lauren, Adil Akram, Derek Jeck and Cal-I Jonel
TIER THREE SISTERS by Knuckledown at The Hope Theatre
Finalists: Bryony Davies, Chloe Wade and Chloe Metcalfe
ABOUT MONEY by Eliza Gearty, 65% Theatre at Theatre503
Finalists: Emma Tracey, Michael McCardie, Matthew Boyle, Isabele Derosa and Rohit Kumar
STANDING OVATION FINALIST 2021: BLACK BOX (Little or no set, using other design features to create the milieu)
SWIMMING by Alex Bower, directed by Kayla Feldman at The White Bear
MARY & MIETEK Burning Pages & Katla Theatre Company at The Hen & Chickens Theatre/Camden Fringe
THE NOBODIES by Amy Guyler/Chalk Line Theatre at Lion and Unicorn Theatre & on tour
HEMATOMA written and performed by Kieran Dee/Moon Loaf Theatre Company at Lion and Unicorn Theatre
SEEKING ARRANGEMENT by Alexandra Hannant / Burning Brick theatre Company at King’s Head Theatre/Playmill Festival
STANDING OVATION FINALIST 2021: THEATRE ONLINE
LATE NIGHT STARING AT HIGH RES PIXELS by Athena Stevens / Finborough
V-DAY 2021: Raise the Vibration / Bread & Roses Theatre
SNOW WHITE in the Seven Months of Lockdown by John Savournin/Charles Court Opera/King's Head Theatre
DECEMBER: A New Play for Christmas Adapted from Charles Dickens 'A Christmas Carol' by Alexander Knott/Bag of Beard/Filmed at Old Red Lion Theatre
Congratulations to all