REVIEW: Edward II at the Jack Studio Theatre March 31 - 18 April 2026
'the concept of an all female cast to execute such a male dominated play has potential' ★★★
“All live to die, and rise to fall.” Alex Pearson Productions in association with Glass Splinters presents Edward II by Christopher Marlowe.
This production felt lopsided in both conviction and casting. In delivery; there were moments of clarity though at other times pacing felt awkward and stilted. The cast accumulated an eclectic mixture of abilities.
Out of this small ensemble, there are two eye-catching actresses. The first one being Elinor Machen-Fortune; who delivers a stand out performance with emotional range as she dynamically plays various characters. Under Machen-Fortune’s craft every role felt anew as she brought them to life. Emma Louise-Price has strong physicality and comedic timing. In the production team; Lighting Design by Steve Lowe illustrated a sense of locality and mood through coloured and accented shades.
This complex work is performed by a cast of six. Multi-rolling being essential to represent the many characters. This multi-rolling was distinguished by costume adjustments and well spoken regional accents. This version and style of performance felt accessible enough for audiences that are perhaps new to Christopher Marlowe’s work. The story was presented in a way that felt digestible and comprehendible to theatre-goers. Though this was not a masterpiece, there are a few moments where the text is well utilised, a couple of funny bits and some solid multi-rolling. Homosexuality is a central component to the play. Equally, many could say, an unjust political climate is so relevant to now. Both of these themes could have been delved into more.
As Marlowe’s work seems to be so rarely performed; it is encouraging to see a theatre company choosing one of his texts. While this specific production felt middling; the concept of an all female cast to execute such a male dominated play has potential.
Edward II
by Christopher Marlowe
directed by Alex Pearson
presented by Alex Pearson Productions in association with Glass Splinters
Brockley Jack Theatre until 18 April
Photography: Steve Gregson
