REVIEW: A FINE IDEA by Christine Bacon at Arcola Theatre 10 June – 4 July 2026

Albertine Sins • 18 June 2026



‘stories like this should continue to be told’ ★★★ ½



A Fine Idea, a new play by Christine Bacon, based on Jason Hickel’s book The Divide, is set in Kenya in 2024, and deals with the hidden truths surrounding the ‘international development’ plan, first introduced by President Truman. In 90 minutes, the four actors onstage uncover the daunting secrets surrounding the involvements of governments in the global class divide. 

 

The story follows Jo (Ella Bryant’s brilliant stage debut), a young, naïve, British woman working in aid, as she moves to Nairobi, Kenya, for a humanitarian project. A former British colony, almost half of Kenya’s population lives in conditions of extreme poverty. But Jo arrives full of dreams and hopes to make a difference. Her grandfather Ben Hardy himself introduced the idea of ‘international development’ into Truman’s speech back in the 1950s, and now here she finds herself, 75 years later, following his footsteps. 

 

From the start it is clear that Jo is obviously well intended but nonetheless quite ignorant. The first scene – which is a juxtaposition of her job interview and her grandparents pitching the ‘fine idea’ of the ‘international development’ to Truman – shows us what we deep down already know: the plan is a way for the US and Global North to exploit raw materials and resources from the third world while hiding behind a cover of ‘aid’ and blaming poverty on ‘the curse of [European] colonialism’ while the US would aim to ‘make them prosper’. The scene is darkly humourous and almost satirical. ‘I need a term that is empty enough to be incontestable’ declares Ben before finding ‘international development’. Over the moon with their finding, Jo’s grandparents sing together, a song resembling ironically ‘We Are the World’, while Jo finishes her interview before setting off to Kenya, thrilled at the idea of helping people in need. When she meets Kala, a local activist fighting the Kenyan government, her world and what she knows starts to crumble. 

 

Bacon’s writing is witty and feels fully researched. It isn’t preachy, or lecturing the audience, it is sincere: ‘A Fine Idea’ is a story we aren’t hearing enough of at the moment. What is most interesting is how entertaining the play is. It moves at great pace: from magic tricks to a surreal surgery, the many metaphors appeared throughout the play, directed skilfully by Charlotte Westenra, expose brutally yet with great humour the wrong doings of the IMF (International Monetary Fund) and governments. 

 

Grace Saif (who play Kala) is remarkable. Her fiery energy, moving from impeccable comedic timing to heart-breaking tragedy carries the show, and completes Ella Bryant’s sweet and subtle performance. 

 

I only hope stories like ‘A Fine Idea’ continue to be told. 


Photography: Beatice Updegraff


A FINE IDEA

A theatrical response to Jason Hickel’s bestseller The Divide

Written by Christine Bacon, Directed by Charlotte Westenra

Arcola Theatre 10 June - 4 July 2026


BOX OFFICE https://www.arcolatheatre.com/event/a-fine-idea/



The Company

Ella Bryant


Jo

Georgina Rich

Laura / Christine


Grace Saif

Kala


Kevin Trainor

Ben / Elio


Christine Bacon

Writer


Charlotte Westenra

Director


Matthew Schmolle for Matthew Schmolle Productions

General Manager


Georgia Wilmot

Set Designer


Emma Williams

Costume Designer


Hartley T A Kemp

Lighting Designer


Tom Smith

Sound Designer


Gurkiran Kaur

Vocal & Accent Coach


Jonny Berliner

Composer


Kev McCurdy

Fight and Movement Director


Lewis Champney

Production Manager for eStage


Laura Whittle

Stage Manager


Genevieve Papadopoulos

Assistant Stage Manager


Nadine Rennie CDG

Casting Director


John Bulleid

Illusion Designer


Muniira Ali

Assistant Director


Chris May

Assistant Lighting Designer


Eleni Foundoukis

Costume Supervisor


Anne Dillow at Möbius

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