main-background new title lpt

What's On

 

 

NEW SEASON

FEBRUARY - APRIL 2019

Relaxed performances on selected nights

 

LONDON LOVECRAFT FESTIVAL 2019

3 - 9 February

 

Taking place over seven nights, the festival will have original and gently-loved productions presented to London audiences deep in the depths of darkest pub theatredom. With world premieres as well as tried and true creations, both Lovecraft novices and deeper initiates should find their palates tickled and their brains disturbed.

 

TOP PICK: READ OUR ARTICLE WITH DIRECTOR/WRITER RACHEL HARPER ABOUT THIS PROGRESSIVE COMPANY HERE

RATTLED

BY RACHEL HARPER

12 February - 2 March

Free child care Sunday matinee performances

 

"When the mind is put under extreme pressure, it can fracture. Did you know that? Splinter into a thousand pieces. The more brittle the mind... the more the pieces.”

Em never meant to get married. She didn’t mean to be unhappy. It all just sort of happened by accident... like running over your neighbours cat. Things always seem to just happen to Em.

Now standing alone on the edge of a train station platform, she wants to know ... whose baby is this?

FREE CHILDCARE AT SELECTED PERFORMANCES

 

in search of applause

BY maroussia vladi

12 February - 2 March

 

I love him. Hmm. Yes. I do.

I mean, I like him very much. Which is similar really. Maybe even the same thing. In fact, it’s almost better perhaps. Yes, better. Because you’re not over-burdened by this need, this paralyzing, distracting need to see them, to hear them, to touch them, to love them. Which is impossible really. It’s impossible to show your love for someone. It’s never enough, neither for them nor for you. You always want more; they always want more. And if ever you fail to show them that one day, that one night that you love them. If they ever for the slightest second feel unloved or less loved … or you feel like that, then this wave of hate just enters you, and occupies you, and roars inside of you until all you can do is hurt the other. And you lose so much time in the process. Time that you could have spent concentrating on you. And all this in the name of ‘Love’ . (… ) Love is a barrier we put in the way of our own health and sanity. I love myself too much to love anybody else.

Do you believe Lorelei?  It’s tempting. How much has ‘comfort’ and ‘security’ tempted you in the past?

A new, romantic comedy in the form of a one woman play that ponders the question of whether ‘comfort’ is more useful than ‘passion’ in one’s life.

After all, who’s ever going to be truly happy? We may at least be comfortable.

written BY MAROUSSIA VLADI

PRODUCED BY 'keep it moving' THEATRE

 

 

response 4: change

17 - 18 February 7.30pm

 

"Demonstrating diversity and emerging talent in equal measures."

Blink Theatre are back with the 4th show in the critically acclaimed Response new writing series, dedicated to socially conscious, politically-fuelled, exciting new writing.

Response 4: Change is a platform for emerging, under-represented artists to deliver brave, eclectic and honest work around the them 'change'.

The five, short solo pieces have been boldly written, devised and rehearsed by new writers, emerging actors and trainee directors, with support and coaching from Artistic Director Lotte Ruth Johnson.

Blink Theatre are thrilled to be back at The Old Red Lion with an incredible team and their most ambitious Response show ever.

 

CIRCA

BY TOM RATCLIFFE

5 - 30 March

 

‘Most people get to be happy with one person. I don’t see why I should have it any different’

The twenty-first century. Being gay is supposedly more integrated than ever. Marriage is legal, parenthood is possible and #LoveWins is trending on twitter. The time has arrived to settle down with the man you love for a life of lasting companionship. But in a world where sex is readily available, and with a history of sexual freedom; what does it mean to be in a gay relationship in the modern age? And why are so many gay men still lonely?

Circa explores the blurred identity of the gay relationship in the modern age. Following the story of one man’s romantic life, we are taken through the different relationships and encounters he experiences over a period of thirty years. Joining him through the joys and pitfalls of trying to find love and fulfilment as a gay man.

After premiering in Amsterdam and London in 2016, work.Theatre return with Tom Ratcliffe’s debut play for an extended run in a co-production with Harlow Playhouse.

 

LITTLE POTATOES

7 - 8 April, 7.30pm

 

Little Potatoes is a powerful, bittersweet comedy-drama set in China, about marriage, mothers, and family planning.

'Beautiful, heartbreaking'

‘Incredibly well written, intensely moving, amazingly acted’

‘Clever, funny, political and often very moving’

‘Don't miss this incredibly powerful play.'

[Audience responses to Little Potatoes, Edinburgh, 2018]

When Liuyang pins her daughter’s CV on an umbrella in a Shanghai Park, she expects questions about salary, job prospects and her daughter’s property portfolio. What she does not expect is to have to re-live her traumatic experiences under China’s One-Child Policy, and to face disturbing new realities.  

Playing multiple-roles two talented performers create a fast-paced narrative presenting the realities and repercussions of state controlled birth control.

Trigger warning: themes of abortion and adoption.

 

 

Editor's Choice of Top Pick: Every performance has fully integrated audio description for blind and visually impaired audiences. For any questions or for more information about this, email thenoisesplay@gmail.com.

THE NOISES

a new play by Jacqueline Saphra

directed by Tamar Saphra

2 - 20 April

 

‘I am Luna, new bitch.

Golden Luna, dog show winner,

no food snatcher,

no hair-shedder,

no shit-maker,

no Them-biter.

Gold as good Luna.’

Luna’s a dog. A good dog. Nemesis of the big-dick-labradoodle, rabbit hunter, merciless protector of the human pack.

It’s a warm April night and The Noises are everywhere. Luna’s only friend, Ellie, has gone out, but Ma has locked Luna in. With only you for company she’s getting restless, and the night is stretching out and changing shape. Strange smells are drifting through the closed door.

Beyond the door, The Noises are getting faster and louder and Luna’s beloved Ellie hasn’t come home.

What does it mean to be brave? What does it mean to be good?

Confined here together in the dark, what else do we have but each other?

A mother and daughter collaboration between TS Eliot Award Shortlisted poet and playwright Jacqueline Saphra and director-dramaturg Tamar Saphra, The Noises is a visceral new play about fear, courage, the nature of violence and the power of emotional connection.

The Noises was longlisted for the 2017 Bruntwood Prize for Playwriting.

This production has been generously supported by The T.S. Eliot Foundation and Arts Council England.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Old Red Lion

 

Old Red Lion Theatre

418 St John Street

London

EC1V 4NJ

 

Box Office: Click here or on titles below for direct link

Profile of OLD RED LION InSearchofApplause_Banner500x150 RATTLED%20TITLE LHPLF_500x150 CIRCA_TITLE_BANNER_500X150PX%201 THE_NOISES_ORL